Schedule
- Monday, 17 of June
9:00
Registration
10:30
Opening Session
Conference
presentation : Isabel Pires, Rui Pereira Jorge
Institutional
presentation :
Mário Vieira de Carvalho (Professor
at Social and Human Sciences Faculty – FCSH. CESEM’s President)
Iva Pires (Professor
and Vice-Director of Social and Human Sciences
Faculty – FCSH)
Leigh Landy, Marc Battier (EMS - Network directors. Professors at De Montfort University (England) and Paris - Sorbonne University (France))
Keynote Speaker : Pedro Rebelo (Professor at Queen's University Belfast and research director at Sonic Arts Research Centre).
12:30
Lunch
14:00
Moderator: Leigh Landy
Stansbie, Adam (PhD., University of Sheffield, England), “What is the 'Work'?: an ontological account of acousmatic works and performances"
Dahan, Kevin (PhD., Paris-Est Marne-La-Vallée University, France), “Brain-Computer Music Interaction: a first perspective”
15:30
Coffee Break
16:00
Moderator: João Soeiro de Carvalho
Emmerson, Simon (PhD., De Montfort University, England), “Rebalancing the discussion on interactivity”
Einarsson, Anna (PhD. Student, Royal College of Music, Stockholm, Sweden),” Listening - a cornerstone in interactivity”
Wolfe, Kristina (PhD. Student, Brown University, USA), “Electroacoustic listening and Attunement”
17:30
Break
18:30
Concert
- Tuesday, 18 of June
9:00
Moderator: Luís Cláudio Ribeiro
Couprie, Pierre (PhD., Paris-Sorbonne University / De Montfort University, France / England), “Analysis of interactive electroacoustic music: proposals, tools, methods”
Clarke, Michael; Dufeu, Frédéric; Manning, Peter (PhD.’s., University of Huddersfield / Durham University, England), “TIAALS: A new generic set of Tools for the interactive aural analysis of alectroacoustic music”
Young, John (PhD., De Montfort University, England), “Beginnings and endings analysis”
10:30
Coffee Break
11:00
Moderator: Rui Pereira Jorge
Nerenberg, Mark (Doctor of Musical Arts, University of Toronto, Canada), “ ‘Structure Formation’: An analysis of electronic superimpositions in Stockhausen’s Solo”
Higashikawa, Ai (PhD.
Student, Paris - Sorbonne University, France), “Regards sur les deux
études de musique concrète (1951-52) de Pierre Boulez”
Solomos, Makis; Gibson, Benoît (PhD., Paris 8 University / Évora University , Portugal / France), “Recherches autour de la première musique concrète. Le cas des premières œuvres électroacoustiques de Xenakis “
12:30
Lunch
14:00
Moderator: Hedisson Mota
Ngiao, Tzu-En (PhD.
Student, Concordia University, Canada), “Challenges from the
perspective of a three-fold ontological continuum of music on
mixed-media interactive environments exploring body-sensory
perceptions”
Moore, Adrian
(PhD., University of Sheffield, England), “The fractured acousmatic in
performance a method for sound diffusion with pre-composed materials"
Landy, Leigh (PhD., De Montfort University, England), “Introducing sound-based music to both young learners and their teachers: EARS 2 & Compose with Sounds"
15:30
Coffee Break
16:00
Moderator: James Harley
Nordal, Ola (PhD. Student, Norwegian University of Science and Technology, Norway), “The sun as conductor - Interactivity and aesthetics in Ode to Light, a sound sculpture from 1968”
Mountain, Rosemary (PhD., Concordia University, Canada), “Taxonomy, terminology - 'meaningful' units of music description”
Vermeulen, Valery (PhD., Belgium), “Emotion driven interactivity as a new tool for music composition and performance”
17:30
Break
18:30
Concert
- Wednesday, 19 of June
9:00
Moderator: Isabel Pires
Böhme-Mehner, Tatjana (PhD., Martin-Luther-University Halle-Wittenberg, Germany), “From Parallel Societies to a Global Network: A historiographical approach to the relationship of musicology and electroacoustic music”
Bossis, Bruno (PhD., Université Rennes 2 / MINT-OMF Paris-Sorbonne University, France), “Behavioral interactions in the context of Electroacoustic Music”
10:30
Coffee Break
11:00
Moderator: Rui Pereira Jorge
Bergsland, Andreas; Tiller, Asbjørn (PhD. / PhD. Student, Norwegian University of Science and Technology, Norway), “I am sitting in that room – reverberation, resonance and expanded meanings in Lucier’s I am sitting in a room”
Bullock, Michael T. (PhD., USA), “Feeling-oneself-feel: Alvin Lucier, alive in place and time”
Sargenti, Simonetta (Conservatorio “G. Rossini”, Pesaro, Italia), “Interactive performance and analysis: A changing landscape: an experience of audiovisual installation”
12:30
Lunch
14:00
Moderator: Adrian Moore
Blackburn, Manuella; Nayak, Alok (PhD.,
Liverpool Hope University, England), “Performer as sound source:
interactions and mediations in the recording studio and in the field”
Filipe, Elsa (PhD.
Student, Paris-Sorbonne University, France), “À la recherche d’une
véritable continuité dans la communication instrument - machine. Les
défis des approches interactives à la musique dans la composition de
Philippe Manoury et Florence Baschet”
Coulter, John (PhD., University of Auckland, New Zeeland), “The Art of multichannel electroacoustic composition: A review of methods and approaches”
15:30
Coffee Break
16:00
EMSAN track session
Moderator: Marc Battier
Mizuno, Mikako (PhD. Nagoya City University, Japan), “Japanese Composers in GRM before 1970: what did they bring to the Japanese contemporary music?”
Kojima, Yuriko Hase (PhD. Shobi University, Japan), “Interactive contemporary music and notation: From Japanese contemporary music scene”
Liao, Lin-Ni (PhD., Paris-Sorbonne University, France / Taiwan), “Musical and Physical Gestures: Auditory and visual organization induced by traditional practices of the Far East”
17:30
Break
19:00
Diner Reception
- Thursday, 20 of June
9:00
Moderator: Isabel Pires
Rudi, Jøran (Master, Norwegian Center for Technology in Music and the Arts, Norway), “Soundscape as a social construct”
Harley, James (PhD. University of Guelph, Canada), “Eco-Music: Immersive soundscapes and interactive performance”
Rumori, Martin (PhD. Student, Institute of Electronic Music and Acoustics Graz, Austria) “Lost in inner space? Interactivity in audio augmented environments"
10:30
Coffee Break
11:00
Moderator: Makis Solomos
Giovannucci, Alessandro (PhD., University of Salento, Italy), “Le studio de musique électroacoustique de l'Université de Montréal, entre tradition et innovation”
Robertson, Emily (PhD. Student, Queen's University Belfast, England), “Visual communication in composition and notation for networked performance”
Gatt, Michael (PhD., Student De Montfort University, England), “The Online Repository for Electroacoustic Analysis (OREMA) project – a community approach to electroacoustic music analysis”
12:30
Lunch
14:00
Moderator: Benoit Gibson
Swendsen, Peter V. ; Milkova, Liliana (PhD., Oberlin Conservatory of Music / Allen Memorial Art Museum, USA), “Listening to Paint Dry: Pedagogical strategies for using visual art to inform electroacoustic music composition”
James, Andean ; Olarte, Luis Alejandro (Sibelius Academy, Finland), "Electroacoustic Performance Practice in Interdisciplinary Improvisation"
15:30
Coffee Break
16:00
Moderator: ...
Pires, Isabel (PhD. and composer, CESEM – FCSH, Nova University of Lisbon, Portugal), "Quatre pièces du cycle L’expérience Acoustique de François Bayle: Commentaires analytiques."
Chittum, John (PhD., University of Missouri - Kansas City Conservatory of Music and Dance, USA), “Delving Through Artifacts- Finding the score and its meaning in interactive works”
Marinoni, Marco (Master, Conservatorio “G. Verdi” di Como, Italy), “Anthèmes 2: A classical representation of perceptual strategies aimed at a unidirectional real-time interaction”
17:30
Break
18:30
Concert
Friday,21 of June
9:00
Moderator: Luís Cláudio Ribeiro
Catanzaro, Tatiana (PhD. Student, Paris-Sorbonne University, France), “Le technomorphisme au Brésil entre les décennies 1960-1970 à travers l’œuvre de Gilberto Mendes”
Hidalgo, Elena (PhD. Student, University of Valladolid, Spain), “Musical signification in acousmatic works: the case of Eduardo Polonio”
Bonardi, Alain; Dufeu, Frédéric (PhD., Huddersfield University, France), “Comment modéliser les comportements des instruments numériques? Propositions en logique floue à partir des oeuvres de Philippe Manoury"
10:30
Coffee Break
11:00
Moderator: Isabel Pires
Sousa Dias, António de; Ferreira, José Luís, (PhD. / PhD. Student, Portuguese Catholic University, Portugal), “Jean-Claude Risset’s "Inharmonique" (1977): recast and a real time version proposal”
12:00
Closing Session