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Contents
Contents
23.06.2015
Subsections
Robert Bentall
Genre Hybridisation in Acousmatic Composition
Robert Bentall
John Dack
Issues of Performance and Analysis in `mixed' electronic music - the case of `Mantra' by Karlheinz Stockhausen
John Dack
Simonetta Sargenti
An example of evolution in electroacoustic music performance: Stockhausen's
Solo
and the creation of a soundscape
Background
Aims of the project
Contributions and implications
Instruments and methods
Conclusions
Simonetta Sargenti
Per Anders Nilsson
Live Listening
Live Listening
Intentional Objects
Sonic Objects
Reduced Listening
Listening in Live Situations
References
Per Anders Nilsson
Laurie Radford
Implements and Artisans: the craft of electroacoustic composition
Laurie Radford
adrian 2015-06-03
