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Contents
24.06.2015
Subsections
Michael Clarke, Frédéric Dufeu, Peter Manning
Francis Dhomont's
Phonurgie
: A New Case Study from the TaCEM Project
Michael Clarke
Dr Frédéric Dufeu
Peter Manning
Martin Ritter
Analyzing Music that Escapes Conventional Notation: Towards Automated Spectrogram Segmentation and Annotation
Martin Ritter
Oliver Carman
Musical quotation and a recurrent sonic theme in Francis Dhomont's Cycle du Son.
Oliver Carman
Florence Lethurgez
Word on word : Interviews with electroacoustic music composers on the written presentation of their Works
Florence Lethurgez
Christopher Haworth
Genres as Controversies: Analysing Art Music using Digital Methods
Christopher Haworth
Elif Balkir
A Comparative Study of the Research Proceedings of Knut Wiggen and Pierre Schaeffer during the Foundation of EMS
Preliminary Conclusions
References
Elif Balkir
EMSAN paper session: Mikako MIZUNO
Language for Japanese Timbre as Pitch Distance by Minao SHIBATA
Introduction:Japanese terms for timbre
Seeking for
Japanese
style of composition and Minao SHIBATA
Japanese timbre NE-IRO and SHIBATA's theory of
skeletal system
SHIBATA's live-electronic music
Mikako MIZUNO
EMSAN paper session: Qian Zhou, Ye Shen
Composition Thoughts under 3D Sound Spatialization
Qian Zhou
Ye Shen
EMSAN paper session: Liao Lin-Ni
An Example of Musical Analysis: Double-Notation
LIAO Lin-Ni
EMSAN paper session: Ruibo Zhang
Electroacoustic Terminology Research Focusing on English to Chinese Translation within Original Contexts
ZHANG Ruibo
adrian 2015-06-03
