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Contents
25.06.2015
Subsections
Viviane Waschbüsch
The influence of Tibetan Buddhism in the work of Eliane Radigue
Viviane Waschbüsch
James Mooney
Materiality, Economy, Community: Hugh Davies's Electronic Musical Instruments and their Relation to Present-Day Live Coding Practice
Abstract
Background
Materiality
Economy
Community
References
James Mooney
Robert Dow
Risk and Electroacoustic Music
Robert Dow
Riccardo Wanke
A cross-genre analysis of the (ec)static music
Abstract
Introduction
Area of Research and Methodology
Conclusions
References
Riccardo D. Wanke
Olaf Hochherz
What do we use when we use electronic instruments?
References
Olaf Hochherz
Alejandro Albornoz
Computer Music in Chile: The Beginning and some paths to the future: An historical review
Bibliography
Alejandro Albornoz
James Andean
Rhythm in Acousmatic Music
References
James Andean
Simon Emmerson
How we describe what we experience in electroacoustic music
Simon Emmerson
Andrea Szigetvári
SLApps Sonic Learning Applications: systematic exercises for developing listening skills in electroacoustic music
Andrea Szigetvári
Eldad Tsabary
Aural atoms and structures in electroacoustics : From ear training to analysis and back again
References
Eldad Tsabary
Brian Bridges
1
, Ricky Graham
2
Electroacoustic Music as Embodied Cognitive Praxis: Denis Smalley's theory of spectromorphology as an implicit theory of embodied cognition
Keywords
Selected references
Brian Bridges
Richard Graham
Yiorgis Sakellariou
What's really going on
here
?
Selected references
Yiorgis Sakellariou
adrian 2015-06-03
